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Pressure is a root cause to do something good. It is like delivering a child, each time you try something new. It is part of my career or for that matter, anybody’s career. Pressure of a Yograj Bhat film doing well. Shot under lot of weather fluctuations, hunting for the most beautiful locations, I never felt tired working with a young team. Today we are all back in one piece and that is because of the humour and fun of working together. We have touched so many locations and it was all possible because of the team’s enthusiasm. We shot in more than 80 locations and it was a laborious and tedious attempt, which I have never tried before. Fiction is not exactly shown the way it should be and this film is a new form of presentation from me. Somewhere you see reality which is been presented in a candid way. There are more than thirty main characters in the film. The reality and fiction part of 'Drama'.ĭrama is a kind of satirical narration with lot of humour and sarcasm. It is always easy to tell but there is something emotional about the whole thing and that is what the film talks about. During such time, there will be head on collision with elders. Those experiences will teach us the art of completion. Then comes a time where we become helpless. There is a lot of discontinuation with multiple factors. I hope even people will have the same opinion.įrom the youth point of view, if I consider myself as an youngster, we go out thinking that we know everything we see a lot of incompletion, be in education, job or relationships. For us, Drama is one of my brilliant arts. The content is mine, the screenplay is his. I started working with my old friend, Ravi Kiran on the idea. The title song, Bombe aadisuvanu and Tundu Haikala Sawasa are already popular.ĭrama could have been a little more dramatic but is worth a watch for all the entertainment the young team gives us.A small incident was in my mind for quite sometime which was starting to take shape. Krishna's camera work is good while Harikrishna's music is a winner.
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Suchendra Prasad as the college principal is remarkable.Īctor Ambarish, who makes a special appearance as an astrologer and a narrator lends strength to the movie. Yogaraj Bhat has specially created puppetry-based astrology for Ambarish's character that stands in good stead. Radhika Pandit once again shines with a performance that required her to pout and put up an attitude besides dressing up glamourously. Yash entertains with the use of the dialect with Satish giving him good support. The dialogues are the mainstay of this film. His use of Mandya dialect is apt and funny. Has dealt with a murder mystery for the first time. Barring his first two outings Mani and Ranga (SSLC) his films have been love stories with the usual dialogue rhetoric.ĭrama is a comeback of sorts for Bhat to the usual underworld formula and underworld backdrop. Meanwhile, there's an underworld gang in the backdrop and the college principal is passed off as dead but he is in the 'safe' custody of the two guys. When the college is ready to perform the principal's funeral in public, the principal makes an appearance. Nandini promises a kiss every time Venkatesha does something for her. They land in the college where Nandini studies and thus their journey of fun begins. The two friends later leave their village to pursue studies but they have actually left to search for Nandini. Nandini manages to flirt cleverly with both of them and eventually wins Venkatesha's heart as well as the game. She challenges the two guys to a game of kabaddi. But life changes for Venkatesha when he meets Nandini (Radhika Pandit), a city girl who's visiting the village. They go about their life with casual disdain.
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Srikanth Srinivasa feels Kannada film Drama is entertaining but cliched in parts.ĭirector Yogaraj Bhat's much-awaited Kannada film Drama starts off with two youths Venkatesha (Yash) and Satisha (Neenasam Satish) who are the topic of discussion in their village.